francis bacon
Francis Bacon was born in 1909 in Dublin, Ireland. He grew up both in Ireland and the United Kingdom where he spent most of his adult life. Widely renowned for his portraits and depictions of the human figure, Bacon is undoubtedly one of the greatest painters of the twentieth century. Both classical and modern influences converge in his paintings which present visceral depictions of physicality combined with a powerful, often angst-ridden, psychological component.
His work, received with both unease and acclaim in the early forties, would later be purchased by many major museums, including the Museum of Modern Art, the Guggenheim Museum in New York and the Tate Gallery in London. In 1954, Bacon shared the British pavilion at the Venice Biennale with artists Lucian Freud and Ben Nicholson. By the 1970’s and 1980’s major exhibitions and retrospectives of Bacon’s work were being presented in France, Mexico, Venezuela, Spain, Japan, the USA and the USSR. Francis Bacon died in 1992 while on a visit to Madrid, Spain.
1976 | 38 x 29 cm | Heliogravure | Editor Georges Visat
1977 | 67 x 53 cm | Heliogravure | Editor Georges Visat
Julius baltazar
Born in Paris in 1949, Julius Baltazar was noticed in his youth by Salvador Dali who took the budding artist under his wing and encouraged him to pursue his artistic career.
The works of Julius Baltazar, a mix of printmaking and painting, usually feature elements of intaglio printing, ink drawing and Arlequin pencil. A deep interest in literature led the artist to illustrate over three hundred works of poetry. The artist's work is featured in many important public collections in Canada, Spain, Belgium, Switzerland, Japan and France.
Untitled 6
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 5
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 3
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 1
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 4
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
Untitled 2
2000 | 56 x 38 cm | Etching and painted chine | 17 prints | Éditor Atelier-Galerie A. Piroir
hans beLLmer
Hans Bellmer was born in Kattowitz, then part of the German empire, on the 13rd of March 1902. The artist is best known for creating life-sized sculptures of erotic dolls. Historians also consider him a surrealist photographer.
His dolls are a statement on the cult of the female body, a popular theme in Nazi Germany. However, his response was to cut up, mutilate and present the dolls in unconventional poses. The Nazis declared his work as «degenerate» and he was forced to leave the country. He relocates to Paris where his work is accepted especially by the surrealists who appreciate the themes of sexuality and feminine beauty.
Bellmer spends the rest of his life in Paris and replaces doll making with etchings and erotic drawings. He also explores printmaking, photography and painting while retaining the theme of explicit sexuality, especially in young women.
32 x 25 cm | Burin | Editor Georges Visat
Carol Bernier
Carol Bernier, a Quebec painter, lives and works in Montreal, where she has made her mark on the art scene through the expressive force of her brushstrokes and the richness of her color palette. A graduate in Fine Arts from the Université du Québec à Montréal (UQAM), she has explored a style of painting characterized by abstraction and movement since the 1990s. Often on a large scale, her canvases feature chromatic impulses that evoke both nature and memory, while creating a dialogue between space and matter. Guided by the spontaneity of her stroke, she exhibits regularly in Canada and abroad, capturing the interest of a diverse audience and critics alike.
Louis-pierre bougie
Louis-Pierre Bougie was born in Trois Rivieres in 1946 and studied in France at l'Atelier Champfleury and also with Lacourière and Frélaut.
He actively participates in the development of printmaking in Quebec by opening up his private Montreal studio to visitors around the world. He is also a founding member of l'Atelier Circulaire in Montreal. His work is part of many public and private collections in France and Canada and he has won many prizes for his talent as a printmaker.
Untitled 4
1994 | 37 x 106 cm | Chine collé, aquatint and burin
Untitled 5
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 7
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 6
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 8
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 9
1994 | 56 x 75 cm | Chine collé, aquatint and burin
Untitled 21
1972 | 22 x 18 cm | Eau-forte | 20 prints
Untitled 22
1972 | 22 x 18 cm | Eau-forte | 20 prints
Untitled 10
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 11
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 12
2001 | 65 x 50 cm | Chine collé, aquatint and burin
Untitled 13
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 15
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 14
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 16
1995 | 50 x 33 cm | Chine collé, aquatint and burin
Untitled 17
2008 | 54 x 101 cm | Aquatint
Untitled 18
2008 | 54 x 101 cm | Aquatint
Untitled 19
2019 | 38 x 29 cm | Chine collé, aquatint and burin
Untitled 20
1998 | 57 x 38 cm | Chine collé, aquatint and burin
Untitled 1
1995 | 66 x 42 cm | Lithography | 4 prints
Untitled 2
1995 | 66 x 42 cm | Lithography | 4 prints
Untitled 3
1995 | 66 x 42 cm | Lithography | 4 prints
Tourbillon
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Nature morte
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Chers enfants
1991 | 50 x 65cm | Aquatint and chine collé | 50 prints | Editor Atelier-Galerie A. Piroir
Tête blanche
1997 | 65 x 50 cm | Drypoint, eau-forte et chine collé | 30 prints
Deux têtes
2001 | 65 x 50 cm | Eau-forte and chine collé | 30 prints
Paul Bourgault
Paul Bourgault, a visual artist from Quebec, gained recognition for the originality of his approach, combining traditional techniques with contemporary aesthetics. A graduate of the Université du Québec à Montréal, he creates a pictorial and graphic universe in which material plays a central role, notably exploring themes of memory and territory. Since the early 2010s, he has regularly exhibited his work in various Canadian and international galleries, drawing the attention of a diverse audience. Renowned for his aesthetic sensitivity and strong contrasts, his work continues to enrich the artistic landscape of the province and beyond.
guillaume brisson-darveau
Guillaume Brisson-Darveau lives in Montreal and holds a Master's degree in Visual Arts from Laval University (Quebec, Canada) He also began a Ph.D. program in Arts Studies and Practices last year at the UQAM (Montreal, Canada). His work was presented in Canada, Germany, Chile, Switzerland, Scotland, Spain and Japan. Notably as part of the exhibition Dobles de proximidad at Museo de Arte Contemporáneo (2018, Chile), Art Souterrain (2017, Canada), the NEoN Digital Arts Festival (2016, Scotland) and through his collaborations at nachtspeicher23 (2018, Germany), Diagonale (2013, Canada) and Arprim (2012, Canada). He was involved in numerous artist residencies in Canada and abroad, such as Atelier Mondial (Switzerland, 2018), Est-Nord-Est (2016, Canada) and the Banff Center (2015, Canada). His work has received support by the Canada Council for the Arts and the Conseil des Arts et Lettres du Québec in the last years.
Anne brochu lambert
Anne Brochu Lambert is a Canadian artist renowned for her richly textured works inspired by nature. She explores memory and the passage of time through mixed media techniques, combining collage, ink, natural pigments, and found objects. A graduate in visual arts, she has exhibited in Canada and internationally, earning numerous awards for her innovative approach. Her art, influenced by Quebec landscapes and the interconnectedness of humans and the environment, invites contemplation and reflection. Passionate about creative recycling, she transforms ordinary materials into unique pieces, blending visual poetry with ecological commitment.
Artists BY LAST NAME : c AND d.
Canivet
Currently being written.
Audrey Casalis
Audrey Casalis, born in 1995, is a young French visual artist recognized for her abstract compositions and vibrant use of color. A graduate of the École des Beaux-Arts de Paris, she draws inspiration from both European pictorial tradition and contemporary techniques in collage and digital media. Her works explore the boundary between figuration and non-figuration, while tackling social and ecological themes. Since 2017, she has regularly exhibited in various French and international galleries, attracting the attention of a diverse audience. Committed to cultural accessibility, she also leads introductory art workshops for young audiences, sharing her expertise and passion for creativity.
Bernard Chambon
Bernard Chambon, a French engraver and visual artist, was awarded the prestigious title of Meilleur Ouvrier de France in copper engraving in 2000. Since the early 1990s, he has exhibited his work regularly, which is now part of various public and private collections in France, Belgium, Switzerland, Italy, and Canada. Affiliated with several specialized printmaking workshops, he combines traditional engraving techniques (etching, aquatint) with more contemporary approaches. His practice examines gesture and material, while exploring memory and time. Renowned for the delicacy of his line, he remains a highly regarded figure in the world of printmaking.
Jean-Michel Cropsal
Jean Michel Cropsal was born in Morocco and there he spent his childhood. In France he studied and works for the theatre: sets and costumes. He came to Canada in 1975 and continues his work for the theatre and dance. He also designed and made clothes. Throughout these years he continuously drew, painted and engraved. He held solo exhibitions and participated in group events in various places and numerous galleries in Canada, Morocco and France. For 20 years, he has been a member of the Atelier Circulaire.
Sans titre
2017 | 27 x 38 cm | Aquatint, etching and drypoint | 7 prints
E 01
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
E 04
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
Triptyque 11
2021 | 38 x 31 cm | Aquatint, etching and drypoint | 7 prints
E 07
2021 | 57 x 36 cm | Aquatint, etching and drypoint | 7 prints
Salvador Dalí
Salvador Dalí is a painter, printmaker and sculptor of Spanish nationality, who was born in 1904 and died in 1989. He is one of the best known representatives of surrealism, to which he became associated in the 1920s, on the advice of Joan Miró. After an American period, during World War II, he returned to Spain in 1949 and remained there until his death. Excluded from the surrealist movement, he moved closer to Catholicism and developed an approach he called "corpuscular mysticism". The recurring themes in his work include sexuality, dreams, religion and his wife Gala, who was his muse for a long time.
1974 | 101 x 69 cm | Drypoint and lithography
CYNTHIA DINAN-Michell
Cynthia Dinan-Mitchell holds a Bachelor's degree in Visual Arts from Concordia University (2002) and a Master's degree in Visual Arts from Laval University (2007). She has exhibited her work throughout Canada in a variety of galleries and artists’ centres, including Montreal, Quebec and Jonquières.
pierre durette
Pierre Durette received a Bachelor of Fine Arts from the Université du Québec à Montréal in 2006. As a student, his print media work earned him the Grand Prix Albert Dumouchel in 2004 and he was the winner of the Projet Insertion contest at Atelier Graff in 2005.
The artist’s works have been included in many exhibitions in Quebec and Ontario, most notably at the Musée d’art contemporain de Montréal and at The Power Plant in Toronto. Recipient of the Marcel Bellerive grant for excellence, Pierre Durette received a project grant from the Conseil des Arts et Lettres du Québec in 2009. Originally from Causapscal in the Gaspé region.
Babel 15
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 16
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 14
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 13
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 12
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 18
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 20
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 21
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Goodbye
2015 | 13 x 15 cm | Photolithography | 15 prints
Babel 17
2010 | 56 x 76cm | Eau-forte | 15 prints
Babel 24
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 22
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Welcome
2015 | 13 x 15 cm | Photolithography | 15 prints
Babel 19
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 23
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Babel 25
2010 | 56 x 76cm | Eau-forte and aquatint | 15 prints
Welcome 2
2015 | 19 x 15 cm | Photolithography | 15 prints
Artists by last name : E, F, g et H.
Max Ernst
Max Ernst is a painter, printmaker, collagist and sculptor, who was born in Brühl in 1891 and who died in Paris in 1976. He was first associated with the dadaist and surrealist movements, from 1919 to 1938, a period during which he befriended writers like Tristan Tzara, Paul Éluard and André Breton, as well as artists like Joan Miró and Alberto Giacometti. He moved to the United States during World War II, where he lived until 1953. There he continued his work as an artist, particularly devoting himself to dripping, which heralded the work of Jackson Pollock. He returned to finish his life in France, where he devoted himself more to engraving, notably with Georges Visat in Paris, as well as at the Pierre Chave workshop in Vence.
1975 | 55 x 42 cm | Aquatint, etching and lithography | Editor Georges Visat
Catherine Farish
Catherine Farish is originally from London, England. She received a diploma from l'École des Beaux Arts de Montréal as well as a bachelor of fine arts from Concordia in 1983. To complete her studies in etching, she went to Paris and was a student at l'atelier Le Blanc.
The artist has had over 25 solo shows abd has also been part of numerous collective shows across North America, Europe and Asia. Her works are also part of numerous collections in Canada and the United States.
Marc Garneau
Born in Thetford Mines in 1956, Marc Garneau has been practising printmaking and painting for more than 40 years in Montreal, where he lives and works. His work has been featured in about 60 solo exhibitions and is included in important public collections, including the Musée d’art contemporain de Montréal and the Musée national des beaux-arts du Québec. He was awarded the Grand Prix de la Biennale du dessin, de l’estampe et du papier matière du Québec.
Untitled 1
2019 | 38 x 29 cm | Carborundum and drypoint
Untitled 2
2019 | 38 x 29 cm | Carborundum and drypoint
Hier
2002 | 38 x 29 cm | Carborundum and drypoint
Mehn
2002 | 38 x 29 cm | Carborundum and drypoint
Unten
2002 | 29 x 38 cm | Carborundum and drypoint
Haben Su?
2002 | 38 x 29 cm | Carborundum and drypoint
Schnell
2002 | 29 x 38 cm | Carborundum and drypoint
#193
2004 | 38 x 29 cm | Carborundum | 1 print
#95
2004 | 38 x 29 cm | Carborundum | 1 print
#47
2004 | 38 x 29 cm | Carborundum | 1 print
#52
2004 | 38 x 29 cm | Carborundum | 1 print
#97
2004 | 38 x 29 cm | Carborundum | 1 print
#157.1
2004 | 38 x 29 cm | Carborundum | 1 print
#72
2004 | 38 x 29 cm | Carborundum | 1 print
#84
2004 | 38 x 29 cm | Carborundum | 1 print
#184
2004 | 38 x 29 cm | Carborundum | 1 print
#109
2004 | 38 x 29 cm | Carborundum | 1 print
#204
2004 | 38 x 29 cm | Carborundum | 1 print
#201
2004 | 38 x 29 cm | Carborundum | 1 print
#189
2004 | 38 x 29 cm | Carborundum | 1 print
John Heward
John Heward was born on July 31, 1934 in Montreal and died in the same city on November 6, 2018. A graduate of Bishops University, winner of the 2012 Paul-Émile Borduas Award, Heward participated in numerous group exhibitions during his career in Canada and the United States, in addition to having the honour of solo exhibitions in Paris, Atlanta, Calgary and Toronto.
Flux 4
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 5
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 6
2014 | 120 x 80 cm | Eau-forte and chine collé
Flux 2
2014 | 120 x 80 cm | Eaux forte, chine collé and hand enhanced | 1 print
$2,800.00 CAD
Untitled 3
2003 | 40 x 50 cm | Eau-forte | 12 prints
Flux 3
2014 | 120 x 80 cm | Eaux forte, chine collé and hand enhanced | 1 print
Untitled 2
2003 | 45 x 38 cm | Eau-forte | 12 prints
Untitled 4
2006 | 57 x 38 cm | Eau-forte and dry point | 1 print
Untitled 5
2006 | 57 x 38 cm | Eau-forte and dry point | 1 print
Untitled 1
2007 | 65 x 50 cm | Eau-forte | 10 prints
céline huyghebaert
Céline Huyghebaert is an artist and writer working at the intersection of literature and visual art through prints, books, exhibitions, and collaborations. In her own practice, she uses a broad range of techniques to tell stories that are part documentary, part fiction: traditional and digital printing processes, writing, collages, along with research tools like interviews or archives. She is particularly interested in collaborative gestures and “poor materials,” such as paper, photocopy, and risography.
Huyghebaert recently exhibited "Un cas particulier / A specific woman" at Occurrence, a Montreal contemporary art center, where she created a fictional artist from archival documents and correspondence with over 50 visual artists.
In 2019, Huyghebaert won the Governor General’s Award for her first novel "Le drap blanc" published by Le Quartanier, and was awarded the Bronfman Fellowship in Contemporary Art. She completed a PhD in Art from UQAM, where she also earned a Master’s degree in Literature. She is currently conducting postdoctoral research in Quebec and France, working on a new book and exhibition about the image and language of pain. Huyghebaert was born in France and has been living in Montreal since 2002.
2023 | 33,5 x 27 cm
Embossage et impression sur papier Arches | Embossing and print on Arches paper
Autographe en bas | Signature on back
2023 | 26,5 x 33 cm
Embossage et impression sur papier Arches | Embossing and print on Arches paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier | Print on paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier | Print on paper
Autographe en bas | Signature on back
2023 | 36,5 x 26,5 cm
Impression sur papier Arches blanc | Print on Arches paper
Autographe en bas | Signature on back
Les mots ont perdu leur sens
2023 | Diptyque composé de « la marque » + un moulage en exemplaire unique sur pâte d’argile, papier maché, glue et pigment
Artists by LAST NAMe : i, j, k AND l.
Carmen Isasi
Carmen Isasi, a Spanish visual artist, lives and works in Madrid, where she develops an artistic practice that combines painting, printmaking, and installations. A graduate of the Fine Arts program at the Complutense University of Madrid, she explores the relationships between collective memory and identity, drawing inspiration from both Spanish art history and contemporary issues. Since the early 2010s, she has exhibited her work regularly in Spain and internationally, attracting a diverse audience. Recognized for her subtle use of color and the finesse of her compositions, she continues to enrich the Iberian art scene and beyond.
lucie jolicoeur côté
In 1991, after having explored painting and drawing, Lucie Jolicoeur Côté turned towards etching. Enamoured by l'eau-forte, she studied the techniqueat the Saidye Bronfman center in Montreal as well as in Urbino, Italy.
Lucie Jolicoeur Coté is a member of Atelier Circulaire and ARPRIM. Her works are shown in Canada and internationally and are part of numerous collections.
Fleuve
2012 | 77 x 37 cm | Eau-forte, chine and cut plates | 10 prints
A duetto
2012 | 54 x 43 cm | Eau-forte and cut plates | 15 prints
Nouvelle vague
2007 | 76 x 57 cm | Eau-forte and cut plates | 25 prints
Concertation
2013 | 66 x 47 cm | Eau-forte and cut plates | 15 prints
Infinità
2008 | 66 x 51cm | Eau-forte and cut plates | 25 prints
Liberazione
2012 | 65 x 50 cm | Eau-forte and cut plates | 10 prints
Le printemps
2014 | 35 x 28 cm | Drypoint and chine-collé | 15 prints
Fantasia
2008 | 76 x 56cm | Eau-forte and cut plates | 20 prints
Envolée
2008 | 76 x 56cm | Eau-forte and cut plates | 25 prints
Semplicemente
2008 | 66 x 50cm | Eau-forte and cut plates | 25 prints
Interaction
2008 | 66 x 51 cm | Eau-forte and cut plates | 15 prints
Présence
2014 | 51 x 40 cm | Drypoint and mezzotint | 15 prints
Blues
2011 | 66 x 56cm | Eau-forte and cut plates | 20 prints
Sons harmonieux
2007 | 76 x 57 cm | Mezzotint, eau-forte and cut plates | 20 prints
Entente
2009 | 66 x 50cm | Eau-forte and cut plates | 25 prints
Ouverture
2012 | 71 x 55 cm | Eau-forte and cut plates | 10 prints
À tire d’aile
2007 | 76 x 57cm | Eau-forte, chine and cut plate | 25 prints
Broderies d'étoiles
2015 | 55.9 × 39.4 cm | Eau-forte, chine and cut plate | 10 prints
harold klunder
Born in the Netherlands in 1943 Harold Klunder immigrated to Canada in 1952. After studying at the Central Technical School in Toronto, his first solo exhibition in 1976 launched a painting career that has stemmed over three decades.
Worked on over a period of several years, Harold Klunder’s paintings use a rich visual vocabulary to touch upon notions of duration and transformation, of biology, autobiography, history and myth. At the core of every work, according to the artist, is the necessity to address the human experience. In recent years Klunder has created a large body of work centered around the theme of the self-portrait.
Widely exhibited throughout Canada, Harold Klunder’s works are also part of many major collections, including the National Gallery of Canada, the Montreal Museum of Fine Arts and the Art Gallery of Ontario.
Jean-pierre larocque
Born in Montreal in 1953, Jean-Pierre Larocque studied drawing and printmaking at the Université du Québec à Montréal before pursuing studies in ceramics at Concordia University and the Alfred University of New York, from which he received an MFA in 1988.
While living and teaching for over ten years in the United States, the artist travelled repeatedly to Europe and Asia. Having shown his work extensively in North America as well as being included in many public and private collections, Larocque was selected to present a major solo exhibition in 2006 to inaugurate the new contemporary gallery of the Gardiner Museum of Ceramics in Toronto. Jean-Pierre Larocque lives and works in Montreal.
Hélène Latulippe
Hélène Latulippe is a Canadian artist based in Montréal. She has studied industrial design and in 2012, she has received a BFA from Concordia University in Montreal. She focuses primarily on visual arts since. She has also studied in France and Italy.
She has presented numerous solo and group exhibitions in venues that include Calgary, Toronto, UK, and Norway. She has attended residencies in Norway, Montreal and Banff Center, as an independent resident in Leighton Colony Artists Studios, as part of the Programme du Conseil des arts et des lettres du Québec – Résidences d’artistes et d’écrivains québécois au Banff Centre.
She received grants from “Le Conseil des Arts et des Lettres du Québec” and from McGill University in Montreal. She is prize-winner of “La 9e biennale internationale d’estampe contemporaine de Trois-Rivières” 2015 for the quality of her work and Artist of the Year 2014, City of Montreal – Lachine district.
Her work is all ready collected and includes Air Canada, Banque Nationale du Canada, Concordia University and private collectors like lawyers, architects and designers offices.
Blocs Notes
2021 | 10 x 10 × 4 cm | Monotype and linocut mounted on wooden cube
Cascade Mountain in Fabruary
2019 | 229 × 97 cm | Fiberglass paper, interfacing paper coated with encaustic, linocut on interfacing paper
Cascade Mountain in July
2019 | 229 × 97 cm | Fiberglass paper, interfacing paper coated with encaustic, linocut on interfacing paper
49 Days to fall in Line
2017 | 87 x 103 cm chacun | Linocut on interfacing paper and various components
49 Days to Fall in Line
Detail | 87 x 103 cm
49 Days to Fall in Line
Detail | 87 x 103 cm
49 Days to Fall in Line
Detail | 87 x 103 cm
Scope of Shadows - Eminence grise
2016 | 107 x 220 cm | Linocut on interfacing paper
Scope of Shadows II - Grey Matter
2016 | 107x 234 cm | Linocut on interfacing paper
Scope of Shadows II - Egg of Columbus (item 1)
2016 | 97 x 293 cm | Linocut on interfacing paper
Scope of Shadows II - Egg of Columbus (item 2)
2016 | 97 x 211 cm | Linocut on interfacing paper
Shelter New Dream
2021 | 152 x 101 cm | Linography on wool
Protect New Dream
2021 | 152 x 101 cm | Linography on wool
Une envolée de lines / Flight of Lines
2019 | 200 x 200 x 200 cm | Linocut on interfacing and veil coated with encaustic
Embroidery on Code Lines II - Skylines
2014 | Polyptych, 336 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines II - Crossing the line
2014 | Triptyque 222 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines III - Identity (straight Stitch)
2014 | 168 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines I - Interference on the Line C
2013 | 87 cm x 132 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines II - Splitting the line
2014 | Triptyque, 222 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines III - Identity (Scallop Stitch)
2014 | 168 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines I - Interference on the Line A
2013 | 87 cm x 132 cm | Wooden-spoon technique on Kraft paper and collage
Broderie sur lignes de codes III - L’identité (point de bâti)
2014 | 168 cm x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines II - A Final Dot Punctuates the Line
2014 | Diptyque, 168 x 127 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines I - Interference on the Line B
2013 | 87 cm x 132 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines I - Interference on the Line E
2013 | 87 cm x 132 cm | Wooden-spoon technique on Kraft paper and collage
Embroidery on Code Lines I - Interference on the Line D
2013 | 87 cm x 132 cm | Wooden-spoon technique on Kraft paper and collage
Traces
2012 | Triptych, 76 x 228 cm | Drypoint
René Laubies
René Laubiès was born in Saigon in 1924 where he spent most of his childhood. In 1949, following his law studies in Morocco, he settled in Paris. Faithful to his painting practice since his adolescence, his work was well recognized and became in demand in the 1950's.
Living a nomadic lifestyle for over 30 years he travelled to Greece, Iran and Turkey. He also split his life between Paris and India where most of his creations have seen the day. His works have been influenced by oriental philosophies and are bright minimalistic abstractions. He passed away in India in 2006.
Untitled 1
2003 | 22 x 27 cm | Eau-forte | 7 prints
Untitled 2
2003 | 22 x 17 cm | Eau-forte | 14 prints
Untitled 3
2003 | 22 x 17 cm | Eau-forte | 30 prints
Untitled 4
2003 | 22 x 17 cm | Eau-forte | 25 prints
Untitled 5
2003 | 22 x 17 cm | Eau-forte | 14 prints
Untitled 6
2003 | 22 x 17 cm | Eau-forte | 13 prints
Roy Lichtenstein
Emmanuel Radnitzky, better known as Man Ray, was an American artist who spent most of his career in Paris, France. He is most well known for his avant-garde photography, in which he cast many well know figures of his time such as Kiki de Montparnasse. Although he is known for his photos, he also worked in other mediums and considered himself a painter. He was a major contributor to the Dadaist and surrealist movements.
He appropriated the photogram, a type of photo made without the use of a camera, and renamed them «rayographs». In 1920, he collaborated with Marcel Duchamp on his kinetic sculptures in New York. In that same year he also founded, along with Katherine Dreier, the Société Anonyme, which was an itinerant collection later to become the first museum of modern art in the US.
In 1925, along with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso, Man Ray was part of the first Surrealist exhibition at the Galerie Pierre in Paris.
The artist passed away on the 29th of September 1997 in Manhattan.
La Nouvelle chute d'Amérique
1992 | 48 x 36cm | Aquatint and etching | Editor Albert Dupont
La Nouvelle chute d'Amérique
1992 | 48 x 36cm | Aquatint and etching | Editor Albert Dupont
Artists BY LAST NAME : m, n, o AND P.
Roberto Matta
Roberto Sebastián Antonio Matta Echaurren was born in Santiago Chile on the 11th of November 1911. He is known as one of the most influencial Chilean artists in the abstract expressionist and surreal movements.
Pontificia Universidad Católica de Chile before leaving school behind to settle in Paris in 1933. During his travels in Europe, he spent time along side Arschile Gorky, René Magritte, Salvador Dali, André Breton and Le Corbusier. He first studies architecture at the
His early work consists of «inscapes», paintings that were inspired by Freud’s idea that the psychic landscape exists in three dimentions. Later on, his work reflects the political reality of the 40’s and 50’s. Notably, there is the apparition of machinery and distressed figures.
Roberto Sebastián Matta passed away on November 23rd 2002 in Italy.
Oeuvre l’instant
1977 | 65 x 50 cm | Aquatint and eau-forte
12PM - L’arc obscure des heures
1975 | 64 x 90 cm | Aquatint and eau-forte
2AM - L’arc obscure des heures
1975 | 64 x 95 cm | Aquatint and eau-forte
Ma Chair Rie
1979 | 68 x 52 cm | Aquatint and eau-forte
Bande à jazz
1976 | 82 x 63 cm | Aquatint and eau-forte
Hom’mere
1976 | 67 x 50 cm | Aquatint and eau-forte
Untilte 1
1983 | 67 x 50 cm | Aquatint and eau-forte
The exit at the entrance
1983 | 67 x 50 cm | Aquatint and eau-forte
Hom’mere III
1983 | 65 x 50 cm | Aquatint and eau-forte
Être atout
1977 | 67 x 50 cm | Aquatint and eau-forte
Motorcycle racing
1977 | 45 x 58 cm | Aquatint and eau-forte
Untilte
1977 | 45 x 58 cm | Aquatint and eau-forte
Chaosmos
1975 | 66 x 50 cm | Aquatint and eau-forte
II explose
1976 | 66 x 50 cm | Aquatint and eau-forte
Être hommonde
1977 | 67 x 50 cm | Aquatint and eau-forte
Nid de Noeds
1979 | 66 x 52 cm | Aquatint and eau-forte
67 x 52cm | Aquatint, eau-forte on China pearl | Editor Georges Visat
67 x 52cm | Aquatint, eau-forte on China pearl | Editor Georges Visat
45 x 63cm | Aquatint, eau-forte on China pearl | Editor Albert Dupont
Jean mcewen
Jean McEwen was born in Montreal in 1923 and died in the same city in 1999. Encouraged by Paul-Émile Borduas, McEwen perfected his painting and printmaking in Paris and Montreal, under the influence of artists like Jackson Polock, Mark Rothko and Jean-Paul Riopelle. His work has been exhibited in many cities, including Montreal, Toronto, New York, Paris and London. Some of his works are included in important public collections, such as the National Gallery of Canada. McEwen won the 1998 Prix Paul-Émile Borduas.
Untitled 1
1994 | 120 x 80 cm | Eau-forte | 41 prints
Ni plus ni moins
1994 | 120 x 80 cm | Eau-forte
Untitled 2
1993 | 120 x 80 cm | Eau-forte | 60 prints
Jardin de pierre 6-1
1993 | 80 x 120 cm | Eau-forte | 60 prints
Martin Müller-Reinhart
Martin Müller-Reinhart was born in Soleure, Switzerland in 1954. Since 1977 he has worked and lived in Paris. He uses painting, etching and sculptural elements interchangeably to create visual spaces composed mostly of lines and flat surfaces, creating a meeting place of elements.
Amongst his works are large scale installations shown in churches and large public spaces. These installations create meditative and sobre environments. His most notable installations are in the chapel Saint Louis de la Salpetrière in Paris (1989) and the church of Gesù in Montreal (2009).
Johny Ngbwa
Johny Hycinte Ngbwa was born in Cameroon in 1995. He moved to Italy in 2005. He became interested in art from an early age and then enrolled in 2009 at the State Institute of Art of Forlì, where he obtained the Master of Arts diploma and the baccalaureate in pictorial decoration and restoration.
Since 2014 he has been attending the Academy of Fine Arts in Urbino where he graduated in graphic art and in 2020 he obtained a specialist diploma in edition and illustration for graphic art. He now works as a teacher at MIUR (Ministry of Education, University and Research).
stella pace
Concrete has for a long time been the material of choice for Stella Pace. The artist created her work by multiplying the imagery until the charged surfaces acquire psychological attributes.
Her sculptures and etchings are created by a process of accumulations. Concrete is layered in vigorous fashion and the result is an organic and improvised textural work
ED PIEN
Born in Taipei, Taiwan in 1958, Ed Pien immigrated to Canada at the age of eleven. He received a Master of Fine Arts from York University in Toronto in 1984. His work has been the focus of numerous national and international exhibitions in such notable institutions as the Montreal Museum of Fine Arts, The Drawing Center in New York, the Centro Nacional de las Artes in Mexico City and the Goethe Institute in Berlin.
Ed Pien’s artwork draws on sources both Eastern and Western. Exploring the convergence of history, beliefs and mythology, his drawing based practice has often included intricate large scale installations that the viewer must enter and wander through. The artist’s work is included in many major collections including the National Galleryof Canada, the Museo de Arte y diseno Contemporaneo, Costa Rica and the Fundacion Antoni Tapies, Barcelona. Ed Pien lives and works in Toronto.
Artists BY LAST NAME : q, r, s, t AND u.
Man Ray
Emmanuel Radnitzky, better known as Man Ray, was an American artist who spent most of his career in Paris, France. He is most well known for his avant-garde photography, in which he cast many well know figures of his time such as Kiki de Montparnasse. Although he is known for his photos, he also worked in other mediums and considered himself a painter. He was a major contributor to the Dadaist and surrealist movements.
He appropriated the photogram, a type of photo made without the use of a camera, and renamed them «rayographs». In 1920, he collaborated with Marcel Duchamp on his kinetic sculptures in New York. In that same year he also founded, along with Katherine Dreier, the Société Anonyme, which was an itinerant collection later to become the first museum of modern art in the US.
In 1925, along with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso, Man Ray was part of the first Surrealist exhibition at the Galerie Pierre in Paris.
1976 | 38 x 29cm | Éditor Georges Visat
Cécile Ronc
Cécile Ronc, a painter based in Montreal, is currently pursuing a doctorate in research-creation at the Université du Québec à Montréal and is a graduate of the École nationale supérieure des Beaux-Arts de Paris. Her pictorial practice delves into what she calls “géonirisme,” exploring the sensory qualities of nature and the resonances they can awaken in us. Interested in the “ecology of vision,” she seeks to help shape a new culture of the living world, one in which nature is perceived “for itself,” without symbolic projection or serving as a mere mirror of human subjectivity.
She regularly exhibits her work in both solo and group shows. Her solo exhibition *Le luxuriant désert noir* at the Galerie d’art d’Outremont focused on the relationship between paint as matter and landscape as matter. At the McClure Gallery, her solo show *Le pays où l’on n’arrive jamais* investigated connections between landscapes and memory. *Paysages sans têtes*, presented at the Association Premier Regard in Paris, featured paintings initiated during her residency at the Casa de Velázquez, seeking to capture the successive impressions of a viewer in motion—thus reflecting how vision truly operates.
Stephanie Russ
Born in Montreal, Stephanie Russ completed a BFA in studio art from Concordia University in 1990 and an MFA from the University of Alberta in 1994. Working primarily in print media and drawing she has had several solo exhibitions and numerous group exhibitions in international biennales and triennials in countries such as the US, Serbia, Poland, Germany, Bosnia, Egypt, Japan, Belgium, France and Canada. She has been awarded several professional development and techniques grants, and recently won the prix Francine Turcotte. She was artist in residence at Atelier Circulaire in 2007 as well as at Presse Papier in 2019. She is currently a sessional instructor at Concordia University in Montreal teaching lithography, screen printing and digital print.
Icy waters
2019 | 44 x 100 cm | Serigraphy and digital | 7 prints
Virtual Boundary #1
2021 | 64 x 71 cm | Monotype
Boat Stories
2019 | 10 x 12 x 3 cm | Ceramic, silkscreen and digital | 7 prints
$2,000.00 CAD
The ways of the water # 1
2019 | 44 x 76 cm | Lithography and chine collé | 6 prints
The ways of the water # 3
2019 | 44 x 76 cm | Lithography and chine collé | 6 prints
Undāre
2018 | 42 x 67 x 8 cm | Stone, photopolymer, lithography | 10 prints
$4,000.00 CAD
While I was Walking
2014 | 72 x 97 cm | Lithography and chine colle | 10 prints
Overcast
2014 | 69 x 94 cm | Lithography and chine collé | 10 prints
The ways of the water # 2
2019 | 44 x 76 cm | Lithography and chine collé | 6 prints
The ways of the water # 4
2019 | 44 x 76 cm | Lithography and chine collé | 6 prints
Shen Chin Yuan
Shen Chin Yuan is a renowned contemporary visual artist from Taiwan, celebrated for her innovative approach to art and culture. Born in Taiwan, she explores themes of identity, environment, and social transformation through various mediums, including painting, installation, and video. Her work is distinguished by a harmonious fusion of Asian cultural traditions and modern global concerns. Shen Chin Yuan has exhibited in international galleries and biennials, captivating audiences with her bold use of colors and forms. She remains a pivotal figure in contemporary art in Asia.
Francine simonin
Born in Lausanne, Switzerland in 1936, Francine Simonin has been working and living in Montreal since 1968. Her career spans four decades and she has had over 200 solo exhibits. She has also received many prizes and awards.
In 2004, the Musée National des Beaux Arts du Québec and the Monique and Robert Parizeau foundation gave her a prize to acknowledge and reward her contribution to the history of printmaking in Quebec. Her works are part of numerous public collections in Canada and Switzerland as well as many private collections around the world.
Dorothea Tanning
American painter, engraver, sculptor and writer, Dorothea Tanning was born in Galesburg (Illinois) in 1910 and died in New York in 2012. Settled in the latter city from the 1930s, she was first associated with the surrealist movement, which led her to settle in France in 1953. She then reoriented her work, notably around the exploration of female fantasies, and devoted herself more to engraving, with Georges Visat and Pierre Chave, in particular . She returned to the United States in the late 1970s and continued her work there, publishing, among other things, poetry until her death at the age of 101.
1977 | 30 x 38 cm | Aquatint | Editor Georges Visat
1976 | 38 x 29cm | Aquatint and etching | Editor Georges Visat
Ariane Thézé
Ariane Thézé, a contemporary visual artist, earned her diploma from the École des beaux-arts d’Angers in 1981. The following year, she moved to Montreal, distinguishing herself through her exploration of body representation, and held her first exhibition in 1983 at the Dazibao gallery. In 1984, she completed a master’s degree in visual arts at UQAM, then returned to France, where she obtained a second master’s degree from the University of Paris 1 in 1986. Her early works, *Déportraitisation* (1983), probe questions of identity, desire, and memory through photographs of human skin suspended from hangers. During the 1990s, her career expanded internationally. In 2003, she earned a doctorate in practice-based arts at UQAM.
Marcelo Troche
Born in Montevideo (Uruguay) in 1971, Marcelo lived in Madrid and Grenoble before his family settled in Montreal (Canada). He now divides his time between Montreal and Mérida, in the Yucatán region of Mexico, where he has his own photography sanctuary.
After earning his degree in photography from Cégep du Vieux Montréal, he was recruited by one of the leading black-and-white photography labs, where he developed a strong interest in black-and-white photography and darkroom techniques. His creativity and talent led him to explore advertising and editorial photography, transitioning from film to digital without losing his passion for darkroom work and black-and-white imagery.
In 2015, Marcelo went to New York to study tintype photography and began mastering the technique while continuing his advertising career.
Two years later, in 2017, Marcelo was suddenly struck by cerebral vasculitis. After a long hospital stay, multiple treatment attempts, and a lengthy recovery, he had to come to terms with the end of his professional career. However, this prompted him to dedicate himself to what he truly loves in photography: tintype. He found in this technique a way to celebrate the beauty of what might initially appear off-putting.
Raoul Ubac
Raoul Ubac was born on the 31st of August 1910 in Cologne. He spent most of his youth in Germany and eventually moves to Paris where he studies at the Sorbonne. In Paris, he meets Camille Bryen, Otto Freudlich and Andrée Breton and joins the Surrealist movement.
Ubac experiments with photography, notably with solarisation and petrification. In 1933 his experiments are exposed in a Parisian gallery.
He is also known for his drawings, his prints, his gouaches, his paintings, his reliefs, and his stained glass.
The artist passed away on March 24th in 1985.
1977 | 27 x 25cm | Rolling on slate | 60 prints
ArtistS BY LAST NAME : v, w, x,y AND z.
Christine Vandrisse
Christine Vandrisse, a French artist and publisher, has lived since 1985 in an 18th-century Flemish house transformed into a contemporary studio open to nature. Specializing in typography and intaglio, she creates unique works and editions under the name Éditions d’Émérence, founded in 2011. Inspired by material and serendipity, her art explores deconstruction and transformation, as exemplified in her DOMA and DOMATA series. She combines engraving, performance, and video to illustrate the slowness of the creative process, celebrating the intimate connection between the artist, the material, and time. Her works are regularly exhibited internationally.
Maria Helena Vieira da Silva
Maria Helena Vieira da Silva was born in Lisbon, Portugal on the 13th of June 1908. Early on, she developed an interest in drawing and painting and was enrolled in the city’s Academia de Belas-Arteswhere she was to study until her teenage years. Afterwards, she studied painting with Fernand Léger, sculpture with Antoine Bourdelle and etching with Stanley William Hayter, all masters in their respective fields.
By the time she was 22, she was exhibiting her work in Paris. Her compositions, largely influenced by Cézanne, are complex, dense and evoke the spatial ambiguities of cubism. Her work in the 40’s and 50’s reflects the essence of Post-war Paris. The artist portrays the city in profile and from bird’s eye views, often creating mazes and masses of people.
She becomes a French citizen in 1956. She is also the first woman to receive the Grand Prix National des Arts in 1966 and in 1979 is named Chevalier of the Legion of Honor. Vieira da Silva died in Paris on the 6thof March 1992.
1976 | 38 x 29cm | Sugar and aquatint | Editor Georges Visat
Béatrice Sokoloff
Béatrice Sokoloff, a Swiss-born printmaker and visual artist, lived in Montreal, Canada, where she was an active member of Atelier Circulaire. Starting in 2006, she regularly exhibited her works, which are now part of numerous public and private collections in Canada, Switzerland, Spain, Portugal, Brazil, England, Italy, Romania, and Israel. Combining traditional techniques with contemporary approaches, her practice explored memory, territory, and identity. Sokoloff passed away in 2019, leaving behind a rich artistic legacy marked by the finesse of her line and the intensity of her engraved compositions.
Wang Suo Yuan
Wang Suo Yuan was born in China and has lived in France since 2002. Introduced to photography by his father, he also worked in jewelry and graphics, before turning to the fine arts. Trained in printmaking at the Ecole des Beaux-Arts de Versailles, then at the Contrepoint studio in Paris (ex-Atelier 17 of Stanley William Hayter), he chose from 2006 to initiate personal research on the variations of the line, to develop his own mode of expression. Recipient of several a wards, he has presented his work to the public in numerous solo and group exhibitions as well as biennials and international fairs, in France, China, Spain, Japan, the United States, South Korea, Belgium, Romania, Canada, and in Germany, notably at the Biennale internationale d’estampe contemporaine de Trois-Rivières.
Inner Landscape III - I - II - IV - V
Inner Landscape I
2019 | 70 x 110 cm | Woodcut | 10 prints
Inner Landscape III
2019 | 70 x 110 cm | Woodcut | 10 prints
Inner Landscape II
2019 | 70 x 110 cm | Woodcut | 10 prints
Inner Landscape IV
2019 | 70 x 110 cm | Woodcut | 10 prints
Inner Landscape V
2019 | 70 x 110 cm | Woodcut | 10 prints
Red line - composition 3
2016 | 56 x 76 cm | Eau-forte and embossing of an inked thread
Another day, another world - 1
2018 | 76 x 56 cm | Aquatint and eau-forte
Another day, another world - 2
2019 | 76 x 56 cm | Aquatint and eau-forte
A simply story
2019 | 56 x 76 cm | Woodcut
Penglai I
2016 | 56 x 76 cm | Etching
Penglai II
2017 | 56 x 76 cm | Etching
Le parfum de la nuit
2017 | 65 x 50 cm | Eau-forte, aquatint and soft varnish
Zao Wou-Ki
Zao Wou-Ki is a Chinese painter and engraver, naturalized French, who was born in Beijing in 1920 and died in Nyon (Switzerland) in 2013. Trained at the Hangzou School of Fine Arts, he moved to Paris in 1949 and attended the Académie de la Grande-Chaumière and befriended many French and foreign artists. While his early work consisted mostly of realistic paintings, from his discovery of Paul Klee he turned towards abstraction and then lyrical abstraction. Internationally renowned, decorated several times in France, he was the object of a renewed attention in his country of origin from the 1980s.
1974 | 33 x 23 cm | Aquatint | Editor Georges Visat
1974 | 33 x 23 cm | Aquatint | Editor Georges Visat